natalie quan yau tso 左君悠
natalie quan yau tso 左君悠
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I am making, thinking, working and living on stolen Cammeraygal and Gadigal lands of the Eora nation as an uninvited guest. I would like to acknowledge and pay my respects to the elders past, present and emerging. Sovereignty was never ceded. 

works
I Have Arrived at Yellow (2022)
Nothing Happened Here 呢度冇事發生 (2022)
Wedding (2022)
dear, from (2022-ongoing)
Peeling & Cleansing (2020-1)
蜂蜜豆漿 Soy Milk and Honey (2021)
許願雲 Wishing Clouds (2021)
Pepper Spray (2020)
Tracing (2020)
我出來了 Out-Coming (2020)
the forgotten is not forgetting (2020)
Milk Tea? (2019)
about
CV
contact
home

I am making, thinking, working and living on stolen Cammeraygal and Gadigal lands of the Eora nation as an uninvited guest. I would like to acknowledge and pay my respects to the elders past, present and emerging. Sovereignty was never ceded. 

works
I Have Arrived at Yellow (2022)
Nothing Happened Here 呢度冇事發生 (2022)
Wedding (2022)
dear, from (2022-ongoing)
Peeling & Cleansing (2020-1)
蜂蜜豆漿 Soy Milk and Honey (2021)
許願雲 Wishing Clouds (2021)
Pepper Spray (2020)
Tracing (2020)
我出來了 Out-Coming (2020)
the forgotten is not forgetting (2020)
Milk Tea? (2019)
about
CV
contact

dear, from (2022-ongoing)

10 year long durational performance, on every 11th January 

dear, from is a letter to myself that I open every 11th January, the anniversary of my arrival to Australia. Prior to my 10th year (2022) of living in Australia, I wrote a memoir detailing some of my first racial experiences. Each year I respond to this memoir through my body, gifting myself space to hold both my migrant and assimilated selves. The residues from these performances form another ten year-long memoir.

curated and supported by Sineenart Meena

1st Year - Sydney International Airport
2nd Year - A rock on cammeraygal country


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